In the fall of 2000, I found myself really needing a win somewhere: I was rather broke with no prospects and getting really tired of the starving artist stereotype. I found an exhibition opportunity close by without entry fees that would afford the possibility of my work being seen by many people who probably didn’t know me or my work. I jumped at the chance, hoping that at least new eyes would see my work and at most, that I’d make a sale.
Instead, I saw my work in a new light. And that’s made all the difference in how I approach my paintings.
That exhibition was held in conjunction with the Eucharistic Congress for the Catholic diocese of San Bernardino-Riverside, CA. It was titled “Christ for the World” and was held in the Ontario Convention Center. While not an especially great venue for exhibiting art, it did give me a chance to really see what my work looked like – especially as an expression of faith. I’ve always been attracted to matters of the spirit, but before this exhibition I’d never considered my artwork and spiritual content together. As I sat there in the lobby of the convention center and looked at one of my paintings in particular, I noticed the beautiful light I was always attracted to … and suddenly it was more than I dreamed, and it was also less than what I could say. Although I went home with all my inventory, I knew I would not be the same person who created those pieces. I was now on a slightly different path, one I’d not noticed before.